Jo Jeeta wahi Sikander, Lagaan and now Chak De. The similarity between all the three movies is that it spellbinds the spectators through neat portrayal of struggle concealed within the victory in some sort of sports. The first; Jo Jeeta…, do it through cycle racing; the second, Lagaan, do it through cricket; and now the third, Chak De, recently released and yet to be celebrated, do it through hockey, the national game of India.
Among all these three movies based on sports in our contemporary Indian cinema, Chak De Celebrates a different victory. Unlike the other two, this movie is not remarkable for running romance and melodious songs in parallel with the game, which is core of all the three films. This film, Chak De, belongs to its core. And the core as well as key elements of the film are Hockey and women.
The most scathing manner in which Chak De differs from the other two is its inclusion of women playing the game. The movie is significant for the much-needed fact to accept that it celebrates a victory – victory against all those male chauvinist pigs, who believe that women in our contemporary Indian society are meant merely to be pregnant, to breed babies, handle kitchen, and to knead legs of men.
Talking in nutshell, story of the film is straight. As predicted, the victory comes and befits the laps of a dozen girls playing for their country. The win appears to be larger than life for their mentor and coach, who, after gulping seven years of contempt and disgust of his own fellow citizens, is back on a mission. The mission, sought to be impossible one by everyone, is to train the dozen of girl hockey player, and make them win the Hockey world cup.
When you are motivated by strong emotions to win, no task seems to be impossible. The journey, from toe to tip, they stride gets a good portrayal in the movie, which is worth making one’s lip shiver and fist closed tightly under the influence of emotional win running on the screen. Two things make this movie to celebrate a fine triumph over the other two movies discussed earlier, Jo Jeeta… and Lagaan. The first, depiction of woman appearing as an ultimate warrior and winner, though their mentor, a man, plays the pivotal role in their victory. The second, some didactic lessons quoted by the mentor on various occasions evoke some worth musing moral science lectures.
Some inspirational quotations should be in need here to be mentioned. “Team banaane ke liye taakat nahi neeyat ki jarurat hoti hai” (to build a team you do not need power, but a good intention), “Dushman pe hamla tab tak karte raho jab tak ya to wo toot jaye yaa fir tum toot jao” (keep fighting till the time either you or your enemies are succumbed completely), “tej matlab aur tej…sabse tej…” (Fast means faster…fastest), “Pandava ki terah jubaan mat dijiye, cheerharan ho jayega” (do not offers words too easily. Otherwise, you will meet the same doom as Pandavas did).
The best scene-sequel, to me, is when a girl, senior most player of the team, is ready to bare and offer herself to the coach to be captain of the team, while thinking that gifting woman’s flesh is the easiest way to lure a man. It does not work, but the incidence as well as words of coach (the one-woman’s man in real life) changes the girl completely. So much changed and purged that the girl while talking over phone to her cook blurts out with breast shivering and sighing, and eyes gleaming with hunger to win, “yaa to mar ayungi yaa fir jeet ke” (I shall return after either winning or dying). The girl finally shoots the goal giving her team a victory; and her coach a unique dejavu – a moment to stand tall holding his chest high and glistening tears of joy while beholding the tri-colour national flag.
Much acclaimed by The New York Times in plain words “Good show!” I do not think that I need to mention that “Chak De” is another wonderful rendezvous of two of the “powerful objects” of Bollywood, the Shah Rukh Khan and the Yashraj Films.
